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Charles Lloyd Trio - Live At The Pompeii Jazz Festival - 1983 - Past Daily Downbeat

Duration: 39:39
Charles Lloyd - Word.


Charles Lloyd Trio - Live at Pompeii Jazz Festival - July 1983 - RAI-Rome.

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The Charles Lloyd Trio, featuring Michael Petrucciani on piano and Palle Danielsson on bass at the 1983 Pompeii Jazz Festival.

Lloyd is given credit for anticipating world
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Charles Lloyd - Word.


Charles Lloyd Trio - Live at Pompeii Jazz Festival - July 1983 - RAI-Rome.

Become a Patron!

The Charles Lloyd Trio, featuring Michael Petrucciani on piano and Palle Danielsson on bass at the 1983 Pompeii Jazz Festival.

Lloyd is given credit for anticipating world music by incorporating music from other cultures into his compositions, as early as the late 1950s. He describes his music as having "danced on many shores". Peter Watrous stated, "Lloyd has come up with a strange and beautiful distillation of the American experience, part abandoned and wild, part immensely controlled and sophisticated."

Despite recording several albums during the 1970s and occasionally appearing as a sideman, he practically disappeared from the jazz scene. During the 1970s Lloyd played extensively with the Beach Boys both on their studio recordings and as a member of their touring band. He was a member of Celebration, a band composed of members of the Beach Boys' touring band as well as Mike Love and Al Jardine. Celebration released two albums.

Lloyd returned to the jazz world in 1981 when he toured with Michel Petrucciani. British jazz critic Brian Case called Lloyd's return "one of the events of the 1980s." The group produced a special edition cassette, Night Blooming Jasmine, and two live records, Montreux 82 and A Night in Copenhagen, which also features Bobby McFerrin. After the tour, Lloyd again retreated to Big Sur.

In 1986, after being hospitalized with a nearly fatal medical condition, Lloyd rededicated himself to music. When he regained his strength in 1988 he formed a new quartet with Swedish pianist Bobo Stenson. When Lloyd returned to the Montreux Festival in 1988, Swiss critic Yvan Ischer wrote: "To see and hear Charles Lloyd in concert is always an event, not only because this saxophonist has been at quite a few crossroads, but also because he seems to hold an impalpable truth which makes him a thoroughly original musician...This is what we call grace."

For a taste of what he was up to in 1983, here is the Trio during the Pompeii Jazz Festival.

Crank it up and relax.
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