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The Delmonas - Girls in the garage.



The Delmonas - in session for Liz Kershaw - BBC Radio 1 - April 3, 1988 - BBC Radio 1 -

The Delmonas in session tonight. Girl garage bands at their finest, in session for Liz Kershaw at BBC Radio 1, live on April 3, 1988.

From their website:
British
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The Delmonas - Girls in the garage.



The Delmonas - in session for Liz Kershaw - BBC Radio 1 - April 3, 1988 - BBC Radio 1 -

The Delmonas in session tonight. Girl garage bands at their finest, in session for Liz Kershaw at BBC Radio 1, live on April 3, 1988.

From their website:
British garage pop girl group, the Del Monas began life as the Milk-Boilers, by singing backup on some early Milkshakes recordings. Sarah and Hilary took the lead on a rendition of the Shirelles song “Boys” (as covered by the Beatles) before Louise joined, striking out on their own with a couple of four-song EPs in 1984: Comin’ Home Baby (popularized by Mel Tormé) and Hello, We Love You (actually the Doors’ “Hello, I Love You”). In both cases, the Milkshakes served as their backing band, Billy Childish and Mickey Hampshire penning the original numbers. By this time the girls had been re-christened the Del Monas, the name being inspired by the Bo Diddley song. Delmonas-Hang28

The following year, the girls released their first full-length recording, Dangerous Charms, which contained a different version of ‘Comin’ Home Baby’ (without organ), the remaining EP tracks, three outtakes, and five numbers from a BBC radio broadcast (it was later re-released with additional material from another BBC session from 1988). Interpersonal tensions resulted in a recording gap of several years and a revamped lineup for 1986′s follow-up, Delmonas 5!.

Louise had since left the group and Hilary and Sarah had renamed themselves Miss Ida Red and Ludella Black. The original duo, now backed by Childish, Russ Wilkins and John Agnew, cranked out a louder, harder-hitting sound for their next album The Delmonas, released in 1989. It featured Dangerous Charms’ lost title-track and a couple of earlier numbers redone in French. Do the Uncle Willy, released Del Monas 5 LP-coverlater the same year, was the band’s final musical document. It compiled material from previous releases, a couple of alternate takes, and a new version of Thee Mighty Caesars’ “Lie Detector.” On all of their recordings, the Delmonas mixed cover versions from the ’50s and ’60s with original compositions that sounded as if they came from that era — upbeat ravers in the spirit of the Shangri-Las, Lesley Gore, Nancy Sinatra, and other tough-but-tender girl acts. If they didn’t quite have the vocal range of those artists, they made up for it in attitude and enthusiasm.

In case you didn't know - the spirit of Garage Rock is alive and well, breaking leases and driving neighbors crazy, just like always.
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