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Milt Jackson Quintet - Live At Tompkins Square - 1995 - Past Daily Downbeat

Duration: 53:35
Milt Jackson - the inimitable Bags, holding court at Tompkins Square.


Milt Jackson Quintet - live at The Charlie Parker Festival, Tompkins Square Park, N.Y. - August 27, 1995 - Gordon Skene Sound Collection -

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Milt Jackson - the inimitable Bags, holding court at Tompkins Square.


Milt Jackson Quintet - live at The Charlie Parker Festival, Tompkins Square Park, N.Y. - August 27, 1995 - Gordon Skene Sound Collection -

Patrons: You can download this one for free by signing up: Become a Patron!


The legendary Milt Jackson this weekend. Recorded in concert during the 1995 Charlie Parker Jazz Festival at Tompkins Square Park in New York on August 27, 1995. Bags is joined by Hank Jones on Piano, Charles McPherson on alto-sax, Peter Washington on bass and Kenny Washington on drums.

Jackson was born on January 1, 1923 in Detroit, Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music" (quoted in Nat Hentoff's liner notes to Plenty, Plenty Soul). He started on guitar when he was seven, then on piano at 11.

While attending Miller High School, he played drums in addition to timpani and violin and also sang in the choir. At 16, he sang professionally in a local touring gospel quartet called the Evangelist Singers. He took up the vibraphone at 16 after hearing Lionel Hampton play the instrument in Benny Goodman's band. Jackson was discovered by Dizzy Gillespie, who hired him for his sextet in 1945, then his larger ensembles. Jackson quickly acquired experience working with the most important figures in jazz of the era, including Woody Herman, Howard McGhee, Thelonious Monk, and Charlie Parker.

Jackson was one of the founding members of the legendary MJQ. The MJQ had a long independent career of some two decades until disbanding in 1974, when Jackson split with Lewis. The group reformed in 1981, however, and continued until 1993, after which Jackson toured alone, performing in various small combos, although agreeing to periodic MJQ reunions. From the mid-1970s to the mid-1980s, Jackson recorded for Norman Granz's Pablo Records, including Jackson, Johnson, Brown & Company (1983), featuring Jackson with J. J. Johnson on trombone, Ray Brown on bass, backed by Tom Ranier on piano, guitarist John Collins, and drummer Roy McCurdy.

Hit the play button and relax, it's Sunday after all.
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