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Episode 156 of 164

Whitney - Light Upon The Lake

Duration: 01:02:54
It's hard to escape your own predispositions, and come to think of it, that's probably why we call them that. We each bring the tapestry of our unique experience into the ear we lend to a record, and it's as important as the record is itself in determining our ability to fall for it. Music can be a
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It's hard to escape your own predispositions, and come to think of it, that's probably why we call them that. We each bring the tapestry of our unique experience into the ear we lend to a record, and it's as important as the record is itself in determining our ability to fall for it. Music can be a complicated bundle, but falling in love with an act is always collaborative. The listener, by the very act of listening, participates.
And so we find ourselves at the doorstep of Whitney's debut release Light Upon The Lake, and Shane Is Not Having It. He struggles to abide the vocal register of Julien Ehrlich (which, admittedly to some, can scan a little Muppetastic), but half of us see the late afternoon sun shining through the Laurel Canyon tinged hills and the Wes Anderson backstory and bask. Ryan makes the point that in an age of digital singles this record is, most assuredly, an Album.
They've got a new one in the can and the dates have been lined up and it's supposed to drop in August. But if you want to see where Whitney started the conversation, look no further than here. And let the light in.
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