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All You Need To Know About Music Making

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The Freio Music Podcast
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This is a musically-gem-packed snippet that will leave you wiser.
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What failure have you experienced that helped set you up for success? Or it could be a perceived failures like maybe in other people's eyes was a failure. But for you it helped set the stage for what was to come. I mean, I've had many moments where Giggs and and things just didn't happen and didn't work out. And I think that, you know, you just really making music has to be something that you're doing because you really enjoy it. And it's like just you have a passion about it and you know, most people won't just find success with it so easily. I think it's just something that you have to keep going with and not necessarily have the focus of finding success but just making music because you like to make music and just making music that you enjoy that you want toe present to the world. But you definitely have toe release rooms if you get it out. E think my biggest failure early on was not completing music and not not finishing my tracks and getting them out to the world. And there's so many songs over the years that just never saw the light of day because I just didn't finish them. And I think that you have to finish your music. You have to release it. Can't hold on to it. Yeah, that's great. So, out of curiosity, is there like a time window that you need toe release that track before it goes stale or, like, go back probably only scales of you because you heard it so much? Yep. Most of the music that is released these days has was made quite many months ago or even a year ago. Or more artists who usedto signing their track to a label or being done with the track. And it doesn't not for a long time. And this yourself released everything on band camp person for sure. I think that you brought up a great point about releasing music. And I'm just curious because, you know, I talkto various musicians and everybody kind of has a different feel over what is release a ble. Uh, you know, not every song maybe makes the cut. How do you deal with that? And keep moving forward and, you know, producing such high quality material. I mean, I feel like if track is finished then you should release it. Um, obviously, if you absolutely can't stand the track, that's fine. We all make something that we don't like. I have songs that are released that I don't really like. Um, but I've also found that songs that aren't my favorite sometimes or what everybody else loves. Um, you know, my particular taste doesn't appeal to everybody. All the time is different than other people. So a lot of times you may dislike something, and that's gonna be the song that everybody loves. And I know a lot of musicians that their most famous track is not their favorite track s. Oh, yeah. I think that if the song is done, then release it. What's the worst that can happen? People don't like it. You didn't like it? Okay, whatever. Like e mean, if it's really something that's awful and course, all the evidence is that, you know, in the process of the song is pretty terrible. And maybe you just don't finish it and maybe throw it away and do something else. Yeah, so that that kind of leads nicely into kind of outstanding question that had When do you know a song is done well. A lot of people get too caught up in in all changing tracks constantly and never being done with something. And and I know a lot of musicians air like this, and most musicians are like that. But I think that you finish your arrangement, you mixed the song and it's done. I mean, what else are you going to do? You know, you're gonna You probably always gonna find something You wish you could change about a song, But you have to let go of that. You know that that sort of thing is like it can help you to a point. But I find that at a certain point, if this song is the arrangement is done and you're just being super picky and just getting to really greedy about it warm, you know, I don't know. You're just probably not going to make it better. You know, a lot of the times, So maybe just let it go and you sit because, yeah, it can be a problem that you hold on to it for too long. You hear it too many times and you're always just like you're growing more tired of it and so then you want to change it. But actually, the song was finding it was done, you know, two weeks ago. So you gotta You gotta watch it with that. That could be could be problematic. Nice. So kind of breaking down an individual song to like, a track or sample that you're working with. Um, like desert dwellers, music is so clear and texture and refined that I I kind of wonder, How do you work with a particular track or sample or are you know, instrument and refine it to that, You know, perfect window of like, uh, not over doing it, but working with it so that it's unique. Well, hi. Means I'm not sure if we feel that way about all our music. Um, more Maybe. Maybe now, if we could go back to our last album, we probably do Something is different because we're going a lot more recently, we're going through our the the the elements of our last album To find pieces to put in our lives sets over the marine mixes, and as I go back to those things, I'm like God. We did a horrible job in cumin sounds. What we did really needed to put better effects on that. We really needed to do something better with this. And now I'm having to fix thumbs. Eso I mean, really, it just depends on where you're at with your skill set, and and the quoting you have is a part. You have that, uh, in a lot of tutorials that I watched and a lot of musicians I listened to. They always say to try and start with a good sound, we'll try it with you picking a kicked on. Go through your kick drums until you find one. That sounds really good with the track was the right sounds to use because a lot of times you just settle for something on. I think that's a mistake. You should definitely try to make sure that the sounds you're starting with are really high quality sounds, so you don't feel like keeping the ADM or or you need to change the
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