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Ed Stasium talks about what is was like when Phil Spector remixed Rock N Roll High School

From Audio: ROTD-Ep139 Rock n Roll High School

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station description The podcast tribute to the Ramones - examining every track alphabetically from "53r... read more
Ramones of the Day
Duration: 03:24
Ed Stasium talks to Phillip Mottaz and Molly Ann Hale about having no issue with handing The Ramones song, Rock N Roll High School over to Phil Spector.
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Ed Stasium talks to Phillip Mottaz and Molly Ann Hale about having no issue with handing The Ramones song, Rock N Roll High School over to Phil Spector.
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inspector comes in to reap put his spin on this song. First of all, for the soundtrack was that something that felt like they had taken the song away from you a little bit? Or was that just par for the course? Because we're all the music. And, you know, this guy is gonna be producing that. So that's yeah, Phil. Phil made some of the, in my opinion, some of the greatest records of all time. That's not even an opinion. No, e. That's true. Yeah, you know all those great. You know? You know, baby, I love you. Um, all you know, darling, love the crystals. I just got through Inspector Christmas Christmas gift for you is like the best Christmas album of all time. I've been listening a lot. Thio. Even all things must pass. All things just pains. John Lennon Solo records. Yeah, it's fantastic. I love all things was passed. I love the John Lennon Solo records. They're so stark and naked he produced Imagine fills that hero of mine. How did you feel the first time you heard his version of it? It's you know, it's just wall of river eso all of river about It was, you know, it's Phil. So you know, I'm happy. I'm proud That fills working on something I that I produced. Record it. Andi. Yeah, I was always all for it. I thought was exciting that Phil Spector was gonna work on something that I did share. But then when you hear it back, it's like e rah rah rah. Uh oh. Uh, I kind of think the part of what we're all sort of responding to is it's almost like that a generational gap where, like, maybe just didn't quite get what the thing waas that was so wonderful and thought Well, you know, I'll do this. I'll bring I'll bring my game to your inspector So you probably think Who's gonna tell me? Well, not even who's gonna tell me, But you're like, I wanna work with this band and I'm gonna do what I do. And they're gonna do what they dio did this thing to it. And that's what he did. And that's all good. Yeah, I feel, you know, since the first time he saw them, I think after the the first time they played the whiskey, he wanted to produce them right he wanted to be Rocket Russia, right? Didn't he wanted he wanted to do. He wanted to work on the set. You want to leave work on leave home? I think Russia and road to ruin. Well, he's no dummy. Uh, and then when you finally got to the fact that we're gonna be working with them and hey decided they decided that he should remix to remix us for the album The album soundtrack. Those mixes didn't make it in the film. It all Did. They know? No, they didn't. They They're not the film. They're not for sure. Yeah, it doesn't seem like they fills mixes. They're not in the film. There. There. My mono mix. Yeah, yeah. Um Oh. Sidebar. Tiny little trivia. Eso speaking about the Phil Spector version. This is the third Ramon's song that we've covered. I think maybe of all of them that ends with an explosion. Thea other two didn't know the other two are seven and seven is Okay. That's right. That was on the original love version that explosion on on the same album. Let's go! And with an explosion eso There are two songs on end of the century that end with things blowing up. Well, it's the end of the century
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