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Tab Hunter Saved My Life !

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I was running to save my life and there he was! I was running to save my life and there he was! << Show Less
Tab Hunter Saved My Life I was running to save my life and then there he was Tab Hunter!
Movie-A-Day #159: Tab Hunter Confidential In the 1950s, Tab Hunter was a Hollywood golden boy and matinee idol, but his life as a closeted homosexual threatened to bring it all crashing down.
Tab Hunter The Movie Star who lived a double life Tab Hunter was an unassuming, gentle and simple young man, whose stunning good looks and hard earned acting skills, bagged him Hollywood film stardom and a remarkable recording career, which enabled him to make some the best remembered films and music of the 1950's.  Part of a generation of young movies stars, whose film careers, signalled the end of the Hollywood Studio system, in order to sustain his success and live as peaceful a life as fame allowed, Tab, along with several other young movie stars of his day, was forced to live a double life, in an era where movie stars were often expected to meet impossible expectations by their fans and society at large. Have a listen to the latest CHMTC episode about the life and career of the recently departed, teenage heartthrob and movie star, Tab Hunter, who despite the risks he incurred, as a result of his personal life, managed to achieve something that most movie actors can only dream of, a long life of solvency and happiness.
Remembering Tab Hunter Last month actor and golden boy Tab Hunter died of cardiac arrest at the age of 86. I got to interview him in 2015. Here's a podcast dedicated to him.
Damn Yankees with the Unforgettable Ray Walston, Tab Hunter, Gwen Verdon and Bob Fosse The show opened on Broadway at the 46th Street Theatre on May 5, 1955, transferred to the Adelphi Theatre on May 17, 1957, and ran for a total of 1,019 performances. It was directed by George Abbott, with scenery and costumes by William and Jean Eckart, dances and musical numbers staged by Fosse, musical direction by Hal Hastings, orchestrations by Don Walker, and dance music arrangements by Roger Adams.

The show starred Ray Walston (Applegate), Verdon (Lola), Shannon Bolin (Meg), Robert Shafer (Joe Boyd), Elizabeth Howell (Doris), Stephen Douglass (Joe Hardy), Al Lanti (Henry), Eddie Phillips (Sohovik), Nathaniel Frey (Smokey), Albert Linville (Vernon, Postmaster), Russ Brown (Van Buren), Jimmy Komack (Rocky), Rae Allen (Gloria), Cherry Davis (Teenager), Del Horstmann (Lynch, Commissioner), Richard Bishop (Welch), Janie Janvier (Miss Weston), and Jean Stapleton (Sister).
"Damn Yankees" is the story of a middle-aged baseball fan named Joe who sells his soul to the devil to become a great young player who can help his team, the Washington Senators, win the championship. But when Joe misses his wife and wants out of the agreement, the devil sends in Lola – Gwen Verdon, of course – whose motto is whatever Lola wants, Lola gets. But instead of seducing Joe, she falls in love with him. Pd
Most of the original Broadway cast joined Verdon in the film, though Broadway's original Joe was replaced by teen idol Tab Hunter, who's not much of an actor here, although his sincerity is touching. Verdon's comic Spanish accent and cartoonish Fosse strip tease make the song more a parody of a seduction—Lola, singing “Whatever Lola wants, Lola gets. And, little man, little Lola wants you. Make up your mind no regrets. Recline yourself. Resign yourself. You're through. I always get…”

The devil, called Mr. Applegate, is played by the sly Ray Walston, probably best known for playing the title role in the '60s TV show "My Favorite Martian." In the movie, as in the show, his big solo is a parody of an old-time vaudeville number, "Those Were The Good Old Days," in which he celebrates some of the world's worst atrocities. As Mr. Applegate, singing I see cannibals munchin' a missionary luncheon. Years may have flown off, but the memory stays, like the hopes that were dashed when the stock market crashed. Yeah, those were the good old days. I'd walk a million miles or more for some of the gore of those good old days. Before the Broadway opening of "Damn Yankees," the producers decide to cut a big production number, which enrages Fosse. But when Adler comes up with a new tune, he lights up. It's called "Who's Got The Pain." And it pokes fun at the grunting noises that come with the latest dance craze, the mambo. Pinterest image source

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